Places and buildings
Workshops, roadside sites, neighborhood institutions, downtown rooms and structures whose use explains more than their facade.
A field note for what may disappear
A place, workshop, collection, tradition, business, sign, machine, archive or local story can vanish long before anyone decides it was history.
I am looking for the person who still knows where the story lives. Send the evidence, the local connection and what may be lost if nobody pays attention soon.
Not nostalgia for its own sake
Workshops, roadside sites, neighborhood institutions, downtown rooms and structures whose use explains more than their facade.
Photographs, tools, signs, machines, letters, recordings, menus, records and objects with a reliable keeper and a story.
Ways of making, repairing, celebrating, working or caring for a place that may not survive the people who hold the knowledge.
The object does not have to be valuable, and the place does not have to be conventionally beautiful. What matters is the human evidence: who used it, what changed there, how the story can be verified and why it still matters now.
Build a starting trail
The story is not ours merely because we found it
I will not encourage trespassing, publish private documents casually or turn an uncertain story into fact because it sounds good. A lead may require permission from an owner, archive, family, tribe, institution or community. Physical preservation and professional archival care are different from writing a story about something.
A submission may lead to research, an introduction, a future Florida story, a recommendation to contact a preservation organization or no publication at all. The existing Florida Stories hub remains the editorial home. The special-projects board is where new leads enter.
Before you send it
No. A submission is a lead for research and conversation, not permission or a guarantee of publication.
Yes, but clearly mark the information as sensitive. Do not encourage trespassing or send directions that would put a place, collection or person at risk.
A specific place or collection, who knows its history, why it matters, what may be lost and a few verifiable starting facts.
Send the Florida location, the person who knows the story, what can be verified and why attention is timely.