INSPIRATION / GYMNASTICS, JUDGMENT & COURAGE
Simone Biles
The athlete
gets to decide.
By Rob Urban
Gymnastics makes hesitation look like a defect. A vault allows no committee meeting after the run begins. By the time a gymnast touches the table, doubt has to be gone or at least quiet enough to permit flight.
The Tokyo withdrawal can be flattened into an easy parable about self-care, just as her later return can be flattened into an easy parable about perseverance. Neither does justice to the decision. She withdrew from events in which losing her location in the air could turn a mistake into an injury. The choice involved her body, her teammates, the score and a worldwide audience already prepared to turn any outcome into a verdict on character.
Courage, in that situation, was not simply the willingness to continue. It was the willingness to judge clearly while continuing would have looked more familiar.
She knew where
the danger was.
During the team final at the Tokyo Games in 2021, Biles completed an altered vault and then withdrew from the remaining rotations. She later withdrew from several individual finals. She described experiencing the “twisties,” losing her sense of where she was in the air while rotating. The problem concerned the movement itself, at the point where a gymnast has to prepare to land.
A gymnast performing multiple twists must know where she is before the floor arrives. The public can admire the height and difficulty without feeling the cost of being wrong by a fraction of a second. Biles could.
The usual sports language offers two roles: the athlete who pushes through and the athlete who gives up. It is a poor vocabulary for skilled judgment. A routine depends on more than wanting to finish it. The athlete has to recognize the movement well enough to execute it, and determination cannot supply missing spatial awareness.
Tokyo also contained a return. As recorded in NBC Olympics’ account, Biles came back for the balance-beam final and won bronze, using a double-pike dismount without the twists of her usual finish. She had changed the task she was asking her body to perform. That detail belongs beside the withdrawal: judgment could lead to a different routine as well as to stopping.
Paris still
required the
gymnastics.
After Tokyo, Biles took roughly two years away from competition. In an August 2024 account of her comeback, Reuters reported her gratitude to coaches Cecile and Laurent Landi and to her therapist. She described the physical and mental work that had brought her back to the Olympic floor. Naming those collaborators kept the return from becoming a story about solitary willpower.
Rebeca Andrade pressed her in the all-around. Biles had to execute, adjust and accept that another extraordinary athlete could make excellence feel narrow rather than inevitable. Her USA Gymnastics record lists team, all-around and vault gold in Paris, followed by floor silver. Reuters reported the final as a competition Andrade won, not as a footnote to somebody else’s comeback.
Biles left Paris with 11 Olympic medals, alongside the 30 World Championship medals she had already earned. Yet the medal count was not a retrospective test of whether she should have stopped in Tokyo. Good judgment cannot depend on a later victory for permission to have been good judgment.
Make her
moment beautiful.
On the floor podium, Biles and Jordan Chiles bowed to Andrade. Reuters reported that Chiles suggested the gesture and Biles readily agreed.
I admire the ease of that generosity. She had competed to win. Once the result was settled, she could help make another athlete’s moment beautiful.
That is a lovely kind of confidence to put in public. A rival’s achievement can deserve your whole attention, even on a day when you wanted the same prize.
Her name became
part of the language.
Her influence also lives in the sport’s vocabulary. At the 2023 World Championships in Antwerp, her Yurchenko double pike vault became the Biles II. USA Gymnastics records it as her fifth named skill.
I find that part of her achievement especially exciting. She has added movements to the shared language of her sport. A gymnast’s name can become an instruction, a way for coaches and athletes to identify something precise that the person made possible.
There is authorship in that. Her legacy includes a physical idea other people can study.
But difficulty in gymnastics is not a declaration of fearlessness. It is a promise to complete a particular sequence under particular conditions. Training makes the promise credible. Coaching, repetition, equipment, physical preparation and feedback all belong to the finished seconds we see.
So does the decision not to offer the promise when the conditions fail.
Leave the ending open.
Her next competitive chapter remains hers to decide. In a September 29, 2026 report, the Associated Press described Biles as still undecided about the Los Angeles 2028 Olympics.
That uncertainty is not an empty space waiting for a more satisfying answer. It is another example of refusing to perform certainty for an audience that wants a schedule.
There are plenty of conventional reasons to be inspired by Simone Biles. The medals are real. The technical innovation is real. The longevity is astonishing in a sport that asks so much of the body so young.
The rarer lesson is quieter. Excellence does not relieve a person of the obligation to make judgments. It makes those judgments more consequential. Sometimes courage is the explosive thing everyone came to see. Sometimes it is the clear decision that prevents the spectacle from continuing.
The same athlete can embody both, without one canceling the other.
About Simone Biles
Which medals did Simone Biles win at Paris 2024?
Biles won gold in the team competition, individual all-around and vault, and silver on floor exercise.
Did Simone Biles return to competition during the Tokyo Games?
Yes. After withdrawing from several events, she returned for the balance-beam final on August 3, 2021, and won bronze with a double-pike dismount that did not include twisting.
What is the Biles II vault?
The Biles II is the Yurchenko double pike vault named for Simone Biles following her performance at the 2023 World Championships in Antwerp.
Sources: USA Gymnastics’ athlete record and 2023 championship summary; NBC Olympics’ account of Tokyo and the return to competition; Reuters reporting from August 1 and August 5, 2024; and the Associated Press’s September 29, 2026 report. Reflections on courage, invention and generosity are Rob Urban’s.
For more of Rob’s writing and approach to consulting, meet Rob.
